Sunday, February 26, 2012

Cuba: One Photo, Please

Cuba: One Photo, Please
February 25, 2012
David Canela

HAVANA TIMES, Feb 25 — Apparently, taking a simple photo in a public
place in Cuba represents a threat to state security, as if it were a
bomb or a massive riot.

This leads me to pose some problems. The first is that of freedom, and
its unequal interpretation with respect to the rights of citizens and

Tourism is one of the three mainstays of the Cuban economy, discounting
of course remittances, which contribute the largest amount of the net
revenue to the government treasury.

However, no tourist in the world — except in North Korea — is ever told
when they come to a country that it's forbidden to take photographs in
any institution or property or environment relating to the state.

It appears to be like a curfew or a perpetual ban on information which
could originate from independent media.

It means that taking a photo in a hotel or on a city street could be
considered a subversive act, unless it's inferred that you took it for
your personal recollection, or that you state its purpose (sometimes
this is done indirectly, if it's known you're are a "simple tourist,"
for example, or a government approved reporter, a painter, a
photographic artist or an architect).

Where Are the Prohibitions Stated?

They sell cameras in Cuba, but nowhere are there instructions — not in
the store or in the manual for the camera (which of course isn't made in
Cuba) — as to which places or objects of photos are or aren't allowed,
except perhaps after they've been snapped.

Suspicion and fear of the truth spread like shadows in the minds of the
pursuers. Likewise, the paranoia that's so intrinsic to the police
system begins to sink into the mind of the photographer, as if they were
a spy who was endeavoring to steal some military or industrial secret
tucked away in some remote office.

I know Cubans who have been forced to delete their photos simply for
photographing a police officer or a "strategic location" (the outside of
a bus terminal or a bank), and even for taking photos of street
performers who were being photographed by other tourists – foreigners,
of course.

So why do people take pictures? First, a photo is a testimony – as once
were sculptures, paintings and engravings. It's a story frozen in time
and preserved for our memory.

If concentration camps had not been photographed after the end of World
War II, revealing the skeletal bodies of those who existed in them and
the piles of corpses dumped in mass graves, many people today might have
doubted the gravity and scale of the genocide, even its very existence.

Thanks to the thousands of photographs taken during and after the war,
there now remains tangible evidence for future generations who may have
a better idea of it, beyond subjective reports of the magnitude of the
crime. Without them, there would not have been a Universal Declaration
of Human Rights.

Hiding such a profound story, like now trying to hide a reality that is
so evident, to me seems like committing fraud against the future, like
giving people a massive dose of amnesia.

In addition, photographs can be art, even when they capture those sordid
and sad images of life, as demonstrated by Che Guevara himself.

The Public Domain in Cuba

The second problem is that of property, the connotation acquired by the
so-called "public domain." In Cuba there's a role reversal: public space
serves as the private domain of ??the state ("the street belong to the
revolutionaries"), and the individual domain (one's home) is more like a
public space, in the eyes of one's neighbors.

Until there is recognition, through legislation, of the right to own
individual property, the whole country will behave like a private area
of ??the state. The state is the owner of a huge company, a huge
monopoly called the state, which administers through capricious,
draconian and unilateral laws, and sometimes through none at all.

The ban that doesn't allow the photographing of state institutions comes
from a directive of the Communist Party, which claims that photos could
be used for what it calls "counter-revolution" or the "bad-mouthing of
the government."

Conducting counter-revolution would be not only be making an objective
analysis of the Cuban environment, but simply showing it. This is
especially the case when and where reality has been silenced and
banished from the official media, at least when it's not used for

In addition, the fear of the repercussion that their publication could
have is obvious. They must feel deep shame; they don't want to admit
that they were wrong.

They sanctified a state and a system that has let them down, one which
they cling to only for fear of seeing the little they have being taken
away. In exchange for a few crumbs, their loyalty hardened.

Today, December 14, 2011, they told me that because of my taking those
pictures I was already (with a file). So I can now expect that at any
time I'll be called in to be told that they didn't like one of my photos
very much. What's funny is that what I'd tell them is…I don't like them

No comments:

Post a Comment