Angel Santiesteban, Translator: Unstated
Sometimes I suspect that blogging in Cuba is like a scream from the
depths of a cave that is lost in the void without finding any listeners.
The echo comes back to me in an irascible silence, making me
uncomfortable, thinking that outside the cave there are no inhabitants,
we are alone.
The scream simply fades in the air. And we continue to roar in vain. We
only manage to exorcise the impotence of knowing ourselves helpless and
insignificant. The danger of posting is a personal matter, although to
do so signifies, in some way, restoring the Nation to millions.
Death in Cuba is like a card game where the loser is well aware that
given the rules and the ethics he must accept the facts and leave
satisfied. And history doesn't contradict me, and I remember some of the
most significant tragedies:
A tugboat with several families, including children, one in arms, women,
the elderly, is assaulted by another shuttle and with water hoses they
are swept from the deck and thrown overboard to their death by
suffocation. And the official press pays little regard to the incident.
They shoot some teenagers for the crime of attempting to cross the
Straits of Florida, after ticking them and guaranteeing them life,
without the blood splatter.
A man dies of hunger in a dark and dirty cell without the guilty missing
a minute of sleep. Only his name remains in the anniversaries: Orlando
Recently they expelled from the National Assembly, and closed the
workshop of the artist Pedro Pablo Oliva, because he publicly expressed
his personal ideas of democracy, and called for a multiparty system.
In recent days, they beat an opponent in the most central park of the
city of Santa Clara, and hours later he died from the aftermath of the
blows. The news becomes know through the willingness and courage of many
who run at risk for others, and in just a few days, the news is diluted
like a flash on the horizon.
A few hours ago, the Superior Art Institute (ISA), revoked the
registration and grades of the student Henry Constantin, because he
reported in his blog the news of the dissident murdered in Santa Clara.
The young artist decided "not to leave the school on his own two feet."
The government understood it as a direct confrontation at his design,
and nothing more dangerous could happen.
There are several possible sequences of what could happen:
1 – They could assault the student, threaten him, the State Security
officials could abuse him and forcibly remove him from campus.
2 – They could manipulate a group of students disposed to "defy" Henry's
position, and in the end the young, emboldened by official pressure,
will want to punish and beat him.
3 – In any of these variants a fatal accident could happen: a fall down
the stairs, a slip in the struggle and he could receive a serious blow.
I know I'm being tragic but after reading the beginning of this post is
there room for any possibility of naiveté or optimism? Does he have to
endure another abusive attack before it happens? Why more lives to
remember? What will we conquer by allowing them to add more pain to that
we already possess?
The silence of those who raise their eyebrows on reading the horror and
then turn the page, is direct complicity with the Castro dictatorship.
May 27 2011